However, I want to vomit every time I hear record after record of T-Pain’s tired use of the same synthesized vocal effect for the entire song. I’ll even admit that every once in a while it sounds good on the chorus of an R&B joint. ![]() Remember when it wasn’t alright to jack another person’s style? Not only did T-Pain jack someone’s style, he committed armed robbery on an entire career! I’ll admit that it’s in fashion right now to use the already overdone synthesized vocals. I know this all seems like it’s coming out of left field, but it’s actually been building up for quite some time now and I get the strangest feeling I’m not alone in my hatred for this one man minstrel show. ![]() Up until now I’ve taken the diplomatic ideal politician approach to offering a critique of contemporary artists and their music, but this matter is something I have to just come clean and be blunt about. So, regardless of what the fallout may be, I stand by my statement. "Epiphany", is the physical incarnation of everything vile and despicable that"s occurring in music today. Typically, I try to take a policy of ignoring the nonsense in the hopes that it will disappear, but your boy, Mr. ![]() Besides, if anyone is representative of the uncreative commercial crossover appeal responsible for accelerating the rot of Hip-Hop’s rebellious spirit, it’s T-Pain. The original title of the post was going to be "T-Pain Is the Devil Incarnate", but something hit me at the last minute and figured that I shouldn’t get biblical on him, that’s just not good karma! Still, I know that I shouldn’t blame the entire ruin of Hip-Hop on a scapegoat, but I’m from Boston, we blame everything on scapegoats, curses, or pretty much any excuse that’s convenient at the time.
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